Hello, esteemed fans of Kiss Daniel I greet you. I do not come looking for trouble, as always, I wrote this piece to share my thought, although unpopular,
on the news about Kiss Daniel’s exit from G-Worldwide to launch his own imprint, FLYBOY I.N.C.
One does not need the most discerning eyes to see that you fans of Kiss Daniel are gathered in a celebratory mood. I love Kiss Daniel too but I’m not as excited about his recent move, as a lot of other fans, instead I’m curios and anxious to see how things unfold.
Contrary to the widely held belief that Kiss Daniel was “caged” at G-Worldwide, I think that despite their strict policies, the label did a great job in turning the then unknown Kiss Daniel into a figure tipped to become a “global brand and a successor to the internationally thriving Wizkid.” I believe the policy
against non-label collaboration contributed to the success of Kiss Daniel’s brand and for that, I think the Kiss Daniel Fans Association should accord Emperor Geezy & his team their deserving respect.
In about four years of Kiss’ bedding with G-Worldwide, he established himself as a special talent; consistently putting out hit records, releasing a commercially successful and critically acclaimed album; and some comical social media posts (I so much like that Chukwuka joke), which further endeared him to fans.
All of these together, formed a thought that Kiss Daniel had a good environment to explore his many talents and mould it into one loveable brand.
However, G-Worldwide was deemed unfit for him by fans and some persons in the industry, especially because of their policy against non-label collaborations.
It is quite understandable, music collaborations between artistes have produced some amazing musicals. Some artistes are known to slay songs whenever they’re featured and for this, they are in high-demand, artistes like Wizkid, Wande Coal, Reekado Banks and co.